Despite being initially unsure as to whether I’d be able to commit to reading the whole of this year’s Women’s Prize for Fiction longlist, I managed to finish doing so recently – and just in time for the shortlist announcement on 21st April!
I’ll follow the same format I used to wrap up last year’s prize, starting with a list of the longlisted titles in the order I read them. For each, I’ve included my star rating and a link to my full review in case you’d like more in-depth thoughts.
- Girl, Woman, Other by Bernadine Evaristo | ⭐ ⭐ ⭐ ⭐
- Hamnet by Maggie O’Farrell | ⭐ ⭐ ⭐
- Fleishman Is in Trouble by Taffy Brodesser-Akner | ⭐ ⭐ ⭐
- Girl by Edna O’Brien | ⭐
- A Thousand Ships by Natalie Haynes | ⭐ ⭐ ⭐
- Djinn Patrol on the Purple Line by Deepa Anappara | ⭐ ⭐ ⭐ ⭐
- Dominicana by Angie Cruz | ⭐ ⭐
- The Most Fun We Ever Had by Claire Lombardo | ⭐ ⭐ ⭐
- Weather by Jenny Offill | ⭐ ⭐ ⭐
- How We Disappeared by Jing-Jing Lee | ⭐ ⭐ ⭐ ⭐
- Red at the Bone by Jacqueline Woodson | ⭐ ⭐ ⭐
- Nightingale Point by Luan Goldie | ⭐ ⭐ ⭐ ⭐
- The Dutch House by Ann Patchett | ⭐ ⭐
- Actress by Anne Enright | ⭐ ⭐ ⭐ ⭐
- Queenie by Candice Carty-Williams | ⭐ ⭐ ⭐
- The Mirror and the Light by Hilary Mantel | ⭐ ⭐ ⭐
GENERAL THOUGHTS
It’s a shame to start things on a negative note, but if I could sum up my thoughts on this year’s selection in a word, it would be ‘underwhelming’. My average star rating across the 16 longlisted titles was just 3.06 (and it’s worth pointing out that whenever I was torn between two ratings, I always chose to round up rather than down, meaning this figure is generous, if anything). I would never expect to love every title on such an extensive longlist, but it’s clear I have very different taste (and a different opinion on what constitutes a great ‘Women’s Prize read’) than this year’s judging panel. Alas, that’s the subjective nature of art.
Despite there being several solid enough reads, I didn’t find any stand-out favourites, and few felt like they warranted a place on a major literary prize longlist. For comparison, I didn’t award a single 5 star rating this year, while last year I gave two books from the longlist a 5 star rating (Ghost Wall by Sarah Moss, and Normal People by Sally Rooney). While both of them ended up on my top reads of the year list, several reads from this year’s batch are already fading from memory, such was their lack of impact.
On a more positive note, it’s not a terrible list in terms of diversity of authorship (considering the rules stipulate that the books must have been written in English and published within the UK, at least). Six authors are from the UK, six are from the US, two are from Ireland, one is from Singapore, and one is from India. Nine of these authors are white, and seven are people of colour. (shoutout to Rachel for compiling these figures, which I stole because I have no shame.)
As with last year’s list, however, there is quite a bit of crossover in theme and content, which seems an odd choice when aiming for broad appeal and diversity of perspective. Many of the books paint a dire picture of motherhood, several explore the struggles of rich, white people, several are family sagas, and the inclusion of both Girl and How We Disappeared is frankly baffling, considering they both explore the exact same primary themes, but where the latter excels, the former falls flat on every front.
THE ONES THAT GOT AWAY
On that note, here are some of the eligible titles that weren’t included that I think were deserving of a place on this year’s longlist, with each offering a certain quality that I felt was missing. For the sake of fairness, I’ve only included titles that I’ve read personally, so I’m sure there are lots of others that were unfairly snubbed – many of which I’m still excited to get to myself!
The Mercies by Kiran Millwood Hargrave; an evocative piece of historical fiction, inspired by the real-life witch trials of Norway. A beautifully written, emotionally compelling look at the toxic history of othering, and the enduring strength of sisterhood.
Long Bright River by Liz Moore; a hugely readable novel that offers a seamless blend of gripping narrative and wider commentary on contemporary socioeconomic issues.
The Confessions of Frannie Langton by Sara Collins; a rich and transporting read that looks at the historic trappings of race, class, gender, and sexuality, when a former slave is accused of murdering her master.
Follow Me to Ground by Sue Rainsford; a dark and visceral exploration of women’s bodies, and the vilification of female power. Bold and singular, it leaves a haunting impression, and would have brought a welcome touch of experimental, fabulist fiction to the list.
A few others: What Red Was by Rosie Price (a painfully honest look at recovery and friendship); Disappearing Earth by Julia Phillips (a look at the interconnectedness of community, through the lens of a mystery); Frankissstein by Jeanette Winterson (a playful riff on Frankenstein that looks at gender, identity, and the relationship between man and technology); My Name is Monster by Katie Hale (a dystopian novel that looks at the notions of survival, belonging, the enduring influence of societal roles, and the complexities of motherhood); and 10 Minutes 38 Seconds in This Strange World by Elif Shafak (a structurally unique look at found family).
HOPES FOR THE WINNER/SHORTLIST
As I said, there wasn’t really an obvious frontrunner for me this year, but I’d be happiest to see either Actress by Anne Enright or How We Disappeared by Jing-Jing Lee take the win. They’re very different, but both are well crafted and offer a level of emotional depth and thematic nuance I found lacking in many of the other titles.
Taking into account how much I enjoyed each book, as well as factors such as literary merit, originality, thematic variance, social commentary, and how well each has stayed with me over time, my shortlist would look as follows:
- How We Disappeared by Jing-Jing Lee
- Actress by Anne Enright
- Djinn Patrol on the Purple Line by Deepa Anappara
- Hamnet by Maggie O’Farrell
- Girl, Woman, Other by Bernadine Evaristo
- Weather by Jenny Offill
These aren’t necessarily my six ‘favourites’. There are a couple I enjoyed reading more than Weather, for example, but its look at the idea of living with constant anxiety about the state of the world is so timely, and its stream of consciousness, vignette style brings an experimental touch to a list that would otherwise feel very conventional.
WISHLIST PREDICTIONS
If the above list would be my favoured shortlist, which titles do I actually think the judges will select? Based on the qualities they seem to be looking for, and the critical and commercial successes the books appear to have enjoyed, this is my prediction for the official list:
- The Mirror and the Light by Hilary Mantel
- Girl, Woman, Other by Bernadine Evaristo
- The Dutch House by Ann Patchett
- Weather by Jenny Offill
- Dominicana by Angie Cruz
- Queenie by Candice Carty-Williams
The list may not have been the strongest the prize has ever put together, but there’s definitely still a feeling of satisfaction that comes with having completed it in full. Big shoutout to my bookish friends for keeping me sane with our endless chats and rants throughout the process: Emily, Hannah, Marija, Naty, Rachel, Sarah, and Steph.
I’m also loving following along as other great bloggers continue to make their way through the list – Gil, Hannah, Laura, and all the rest!
LET’S CHAT
Have you read the longlist? What did you make of it compared to previous years? Which title would you most like to see win? What book that didn’t make the list are you most salty about?
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I have a distinct sense of deja vue. Because last year you were also all like “ah, I don’t know if I’ll read them all” and then finished first. I am still very impressed that you managed to speed through this very underwhelming list. I am unsure whether I will continue on because I am just dreading all the books I have left to read. But yay for Actress!
(Also, Rachel’s numbers were wrong. O’Farrell (she of the Irish name) is indeed Irish.)
I did, indeed 😂 Something about this prize always seems to draw me back in. I can’t say I’d blame you; there aren’t many on the list that stand out enough to warrant pushing through if you aren’t feeling motivated to do so.
I believe O’Farrell was born in Northern Ireland rather than the Republic, which means she would count as being from the UK. Her nationality is usually given as either British or British-Irish, but I’m not certain how she personally identifies.
It’s just – I am tired of reading about all these horrible parents. I wish the books were a little more varied in themes. And why is it the second year running without a proper speculative fiction title? Myth retellings don’t count. Maybe next year the new Emily St. John Mandel will be longlisted! (Next year could be SO good)
She personally identifies as Irish (Rachel had a bit of a “how could I not know this” frantic Google-search when she realized she had not successfully identified all the Irish lit on the longlist. I can’t think of anything more on brand for her to be honest.)
Yes, I totally agree! The list in general is lacking variety. Fingers crossed for a great list next year.
That makes sense but she would still be listed as a UK author in this context, I think. (The way that I’m Scottish but that means I would be listed as from the UK). It’s essentially the difference between the UK and Great Britain, which most people use interchangeably, but where the former includes Northern Ireland, the latter doesn’t.
I like your ideal shortlist! It’s not the same as mine but I wouldn’t be unhappy to see those six books at all.
I still haven’t read The Mercies but I’m really looking forward to it.
A decent shortlist would at least help to soften the disappointment of an underwhelming longlist! My prediction last year was way off, so I’m intrigued to see what happens.
I hope you enjoy The Mercies! It’s very much in my wheelhouse anyway, but I think it’s a genuinely great novel, and I’ve seen quite a few other rave reviews recently.
I am so impressed by the fact that you finished everything + the other two Mantel books and so fast! WE LOVE TO SEE IT. I think we all agree that this year’s longlist is seriously underwhelming. And I think your predicted shortlist is spot on!
Thank you! 😊 Our shortlist already blows this one out of the water 💅🏼 At least the silver lining is the 2021 list can surely only be better 💁🏻♂️
Great post and well done on reading the whole longlist! I agree that the candidates this year are overall underwhelming. There have been some really positive reviews of a few I’d written off/never heard of though, which is always a great part of following a prize. 🙂
Thank you so much! 😊 Very true! It’s always great when a prize leads you to some gems you would otherwise have overlooked.
Congrats again on reading through the entire longlist (and Wolf Hall series)! 🙂 This is my first year of closely following the Women’s Prize/trying to read the entire list, and I agree that it’s kind of disappointing (although I’ve only read 10/16 books so far ahhh). I probably wouldn’t have read Actress if it weren’t for this year’s longlist, though, so that was a definite plus. I really like your ideal shortlist, and would be so excited if the actual shortlist even kind of resembled it!
Thank you so much! 😊 It’s a shame your first year committing to the prize was a largely disappointing one. Here’s hoping we at least get a decent shortlist out of it, and that 2021 is a lot stronger overall!
I love how you structured this blog post – such an interesting read! I haven’t worked my way through the long list nearly as successfully as you have, but this post has given me a great idea of where to start. I’m excited for the big reveal of shortlisted novels soon☺️
Thank you so much! 😊 I hope you find some gems.
I used to read this longlist and shortlist every year, and Eric Anderson, Antonia Honeywell and I shadowed the official jury two or three years running. But its move towards commerciality has left me so uninspired by recent lists; this year is the first year I haven’t been able to bring myself to care enough to even try reading along. I’m impressed by those of you who are still doing so–good work! And it’ll be interesting to see what happens when there’s such a huge gap between shortlist announcement and winner announcement. But I don’t think the Women’s Prize is for me anymore, really.
Thank you! I can’t say I blame you, to be honest. I think there has been a sense the past few years that they aren’t sure what kind of prize they want to be anymore. I like that they’ve always attempted to select books that blend accessibility with literary merit, but I think the balance was certainly off this year. Fingers crossed for a judging panel more aligned with the Prize’s original ethos next year!
Good way of putting it—an identity crisis!
Ah, CONGRATS on finishing the list! It’s so exciting that at least one of the group managed it, and especially with the entire Mantel trilogy in the mix! I agree with so many of your overall thoughts on this year’s list; I’m aiming to have a post up tomorrow but I could just as well link yours, I felt so similarly! 🙂
I’d love to see your top choices make the shortlist, although I also worry we’ve not seen the last of The Dutch House yet.
Thank you so much! You did great with the list as well, especially considering you weren’t able to get started with it right away.
Yeah, something tells me it’s got a strong chance of making it, but fingers crossed we at least end up with a decent shortlist! 🤞🏻
Well done on reading them all Callum, it’s going to be so interesting to see what makes the shortlist – there are quite a few books that are divisive!
Thanks, Cathy 😊 Yes, I’m definitely intrigued to see what makes it!
Congrats on finishing this! Especially impressive considering how underwhelming it was. 🙂 It’s been fun to watch y’all talk through the process and the books, even as someone who isn’t participating!
Thank you! 🤗 I’m already far more excited about our offshoot longlist than I am this one anyway 😂
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Following along with a few of you, underwhelmed is a good way to put it. Almost none of have jumped at me and I’ve only added two to my TBR.
It’s a shame this year’s selection seems to have been disappointing most readers, but I still like the prize’s ethos enough to keep following along. Hopefully next year’s list is a little more exciting! And I hope you enjoy the two you added to your TBR!
I like your ideal shortlist! I haven’t gotten to Actress or Hamnet yet, so those sound promising. It looks like others have loved it too.
I was actually contemplating between Fleishman and The Dutch House for my actual shortlist, just because TDH is so commercially successful. I don’t know what that means for the prize that I’m thinking the judges would pick buzzier books over those that truly deserve it. I’m holding out for the best, though – we’ll know the announcement very soon!
Yes, it’ll be interesting to see whether they favour the bigger names or choose to highlight some of the lesser known titles. Not long until we find out!
Not knowing if you’ll read the longlist and then finishing first is YOUR BRAND. Actress and How We Disappeared are my top picks as well right now, despite the fact that I haven’t even finished the former. What an underwhelming list indeed.
I’ll take it 💁🏻♂️ If neither make the shortlist, we riot at dawn.
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