Show: The Crucible
Venue: Pitlochry Festival Theatre
Date: 4th September 2019
Director: Elizabeth Newman
Writer: Arthur Miller
Principal cast: Harry Long (John Proctor), Barbara Hockaday (Mary Warren), Claire Dargo (Elizabeth Proctor), Fiona Wood (Abigail Williams), Ali Watt (Reverend Parris), Marc Small (Reverend Hale), & Deirdre Davis (Danforth)
If there’s a play that manages to transcend time and repeatedly find new forms of resonance, it’s surely The Crucible. Inspired by the events of the Salem witch trials of the 1690s, in which a culture of fear, mistrust, and othering led to false accusations of witchcraft, it was written to serve as allegory for McCarthyism, under which the US government of the 1950s persecuted those suspected of being communists without relevant evidence. Today, in the era of Fake News, rising nationalism, and pushback against the #MeToo movement, the play’s themes of accusation, truth, justice, and power strike a chord yet again.
For those unfamiliar with the setup, the strange and unruly behaviour of a group of young girls draws the attention of their Puritan neighbours. Accused of witchcraft and facing persecution, the girls claim to be under the influence of The Devil, pointing the finger at various members of the community they say are possessed. As accusations run rife, buried secrets rise to the fore, the girls become ensnared ever deeper in their own lies, and those falsely accused face an impossible decision: Invite the death penalty by maintaining their innocence, or condemn their families to a life in exile by admitting to a crime they didn’t commit.
Claire Dargo as Elizabeth Proctor (left), and Barbara Hockaday as Mary Warren (right). Picture courtesy of Pitlochry Festival Theatre
The ensemble cast all gave great performances, but the real standouts were Barbara Hockaday and Claire Dargo as Mary and Elizabeth respectively. Elizabeth’s calm yet passionate commitment to the truth when she herself falls under suspicion, and Mary’s mental disintegration as she crumbles under the weight of her lies were portrayed with real punch.
Though this was a largely faithful adaptation of Miller’s original script, a few stylistic choices really enhanced its impact. The set design included a dominating partial replica of a well-known bridge found not far from the theatre. This disconcertingly familiar sight from the local area somehow served to make the story feel closer to home. Whilst still set in Salem, the actors deliberately spoke in a broad range of accents from across the UK. This was done to once again ground the story in something more familiar, but also to reflect the melting pot of different cultures and backgrounds that make a community, enhancing the theme of othering and mistrust. On top of this, the chief judge of the court, Danforth, was played by a woman. Though historically inaccurate, the gender swap instantly casts a fascinating new perspective on the story, by shifting the power dynamic. Here we have women accusing women, presided over by an all-powerful woman. The story and dialogue may have remained the same, but it’s amazing how profoundly such a small change can alter the implications of the narrative and its take on the notion of sisterhood.
Masterfully plotted and powerfully delivered, it’s easy to see why The Crucible has become a classic of the theatre. By exploring the most selfish and selfless reasons people lie, it shows us that, whilst telling the truth in the face of hardship is rarely the easiest option, it’s almost always the right one.
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I’ve never seen this performed, but have always enjoyed the story. Those stylistic changes of using various UK accents and making Danforth a woman sound GREAT and really add some modern commentary to such a familiar tale. I’m glad you enjoyed this, it sounds like an experience worth having!
This was my first time seeing it performed, and I’m so glad it didn’t disappoint! It’s definitely amongst my favourite plays now 😊
This sounds like an amazing production! I love this play so much – my introduction to it was Ivo van Hove’s 2016 production on Bway which blew my mind. One interesting thing he did was actually incorporate supernatural elements through screen projections and harnesses so that girls were floating, and there was a wolf (or a dog-like wolf, probably) that wandered on stage at one point. It was such an interesting choice that almost appears contrary to the spirit of the play, but the more I thought about it, the more I realized that the effect was to make witchcraft actually feel as real and threatening as it was to the characters in the show. But the costumes and set were modernized so it also played to the timelessness of the themes. (Also, Ben Whishaw was just stupidly good as John Proctor – another bonus.) Anyway I love experimental theatre and productions that twist elements of the original – the UK accents and a female Danforth both sound like really interesting decisions.
That sounds amazing! I love the idea of playing with the supernatural undertones to show just how all consuming lies/paranoia can be; to the point that people actually start seeing and believing it. That’s so clever!
Ugh, Ben Whishaw, he’s so good! Obviously none of the actors in this production were on that level of fame, but there were some very recognisable faces from the Scottish theatre scene. Actually, two of the actresses (the ones who played Abigail and Danforth) were the leads in the production of The Last Witch I saw. Pretty interesting considering the thematic crossover!
This sounds great! I really need to see a production of this play; I’ve read the play itself and it felt so lacking on the page yet it’s such a classic.
I’d be really interested to hear how you felt it fared from page to stage if you ever got around to seeing it!